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Salvador Dali and the rhinoceros. 1956 Photo by Philip Halsman Dalí was interested in the rhinoceros; he considered the horn a perfect logarithmic spiral; the perfect form present in nature.In the painting, Dalí noticed a series of ‘cones’. that he identified as horns. As he says in his dairy “The Lacemakers is morphologically the horn of a rhinoceros” (Diary of a Genius). Finally he’d found the connection between the girl in Vermeer’s painting and the rhinoceros. Rhinocéros en désintégration is a remarkable watercolour painted by Salvador Dalí in 1950 that invokes several of the key themes in the artist’s work of the immediate post-war era. Centring on the image of a rhinoceros suspended in space and in the process of disintegrating under the mystical spell of a divine, heavenly being, the work is an invocation of the new personal form of mysticism that Dalí was to outline one year later in his ‘Mystical Manifesto’ of 1951. It had been around the time that Dalí painted Rhinocéro

Post: 25 October 13:20

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